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Available to buy
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Victor Verhelst
CLUBHOUSE OF DANIEL, 2024Tapestry (framed) + Digital token
210 x 130 cm -
Victor Verhelst
THE BUHUMUS, 2024Tapestry (framed) + Digital token
210 x 130 cm -
Victor Verhelst
WINTER WONDERLAND, 2024Tapestry (framed) + Digital token
210 x 130 cm
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Installation view & artist protrait, Group exhibition 'Proof of Work, What's at Stake' @ PLUS-ONE Gallery.
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“It was just a colour out of space—a frightful messenger from unformed realms of infinity beyond all nature as we know it; from realms whose mere existence stuns the brain and numbs us with the black extra-cosmic gulfs it throws open before our frenzied eyes.”
From ‘The Colour Out of Space’ by H.P. Lovecraft
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It is not easy to imagine history and the past other than in black and white. When I think of the past, I see people moving in black and white. I see images of a man on horseback chased by a feathered warrior, of tap-dancing people in suits looking the audience sternly in the eyes with frozen smiles, or of people bathed in sweat singing in front of a microphone and caught in the frame of a CRT television.
Whether it’s a book, a newspaper, a comic, a print of a photograph or whatever, the thought of black and white is almost natural when evoking the past. Another curious fact is that when the night seeks us out, everything between dream and nightmare is just as much black and white. Even more intense is the image of a fire-vomiting volcano delineating the surrounding inhabitants as white solidified appearances against a background of smouldering black. As if the past does not tolerate colour. Colour as a privilege for reality now and the world of imagination. After all, when we imagine, an unbridled range of colours crackles. -
Looking at Victor Verhelst’s work, it seems as if the man has never been in contact with black and white. Presumably he was brought up on pink mother’s milk, grew up among colourful wallpaper and to this day he arms himself against a colourless life with wax pastels and coloured pencils. Like a Don Quixote fighting the dark thought that colour might cast a shadow.
Victor Verhelst is already a cult figure of his generation who does not allow himself to be bound by rules and ploys. A graphic designer, illustrator, typographer, risographer, publisher and autonomous artist alike, he effortlessly manages to mash a toxic cocktail out of it where, above all, his obsession with colour dictates law and taste.
Text: Wim Lambrecht, LUCA School of Arts, Ghent, BE
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Available to buy
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Victor Verhelst
BLOOD MOUTH PLANT, 2023Wool wall tapestry.
Contains a digital twin for the virtual world (NFT).
240 x 240 cm -
Victor Verhelst
CRACK COCAINE CAT CALLED BENZO, 2022Wool wall tapestry.
Contains a digital twin for the virtual world (NFT).
240 x 240 cm -
Victor Verhelst
A DOLLAR FOR A SMILE, A BULLET FOR A TEAR, 2023Wool wall tapestry.
Contains a digital twin for the virtual world (NFT).
240 x 240 cm -
Victor Verhelst
TRAPPED SQUIRREL EATING NORWEGIAN LOBSTER, 2022Wool wall tapestry.
Contains a digital twin for the virtual world (NFT).
240 x 240 cm
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Victor Verhelst
DEMON FABRIC, 2023UV-print on plexi (in transparant red plexi frame)
Contains a digital twin for the virtual world (NFT)
67,5 x 120 cm (16:9 ratio) -
Victor Verhelst
CASTLE OF DR.SNOW, 2023UV-print on plexi (in transparant red plexi frame)
Contains a digital twin for the virtual world (NFT)
67,5 x 120 cm (16:9 ratio)
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Available to buy
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Victor Verhelst
DEPARTURE, 2023Pigment print on archival paper (Framed)
Contains a digital twin for the virtual world (NFT)
1 + 1 exhibition copy
195,5 x 110 cm
(*Not produced yet) -
Victor Verhelst
ARRIVAL, 2023Pigment print on archival paper (Framed)
Contains a digital twin for the virtual world (NFT)
1 + 1 exhibition copy
195,5 x 110 cm
(*Not produced yet) -
Victor Verhelst
PORTAL V 4.0 GUARDIAN 1: UNTAMED EGG, 2023Pigment print on archival paper (Framed)
Contains a digital twin for the virtual world (NFT)
160 x 90 cm / 19016 x 10748 px
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Victor Verhelst: TRIPPY VEGAS
Past viewing_room